The
July 2006
Old Radio Times
The Official Publication of the Old-Time Radio Researchers
Over 1,400 Subscribers Number 8
Contents
Special Features
Tokyo Rose 1
Bringing OTR into
the Future 3
Book Review 6
Johnny Dollar's
Travel Trivia 7
Lonesome Gal 11
Radio in 1939 12
Kiddie Records
Weekly 15
Collecting Kiddie
Records 17
Bogart Answers 19
Cloak & Dagger 20
Ryan's Discs 21
Blair of the Mounties
22
Regular Features
Librarian's Shelf 14
Crossword 18
Treasury Report 20
Website Update 22
Wistful Vistas 23
Buy-Sell-Trade 25
Sushi Bar 27
Tokyo Rose: American Patriot
Jack French
Many in the OTR community tend to hold
on to cherished myths long after the evidence
has proven the opposite. They mistakenly
believe that the Lone Ranger's true name was
John Reid, that David Sarnoff communicated
with the sinking Titanic, and that Straight
Arrow was a white man disguised as a
Comanche Indian. And many OTR fans, like
their counterparts in the American public, are
convinced that "Tokyo Rose" was guilty of
treason since she betrayed her country. That
last myth is the by far the worst, since it
deprives a living American patriot of the
honor she deserves.
Please put aside for a few minutes
everything you thought you knew about
Tokyo Rose and consider the facts of her case.
Iva Toguri was born on Independence Day,
July 4, 1916 in Los Angles, the second of four
children born to Japanese immigrants. Her
parents were proud of their adopted country
and spoke English in their home. Iva
progressed from being a Girl Scout to
graduating from UCLA in 1940 with a degree
in zoology.
She probably would have never seen her
parent's country had not her aunt in Japan
become bedridden in the summer of 1941.
Iva's parents sent her to Japan to care for her
aunt, despite the fact that her U.S. passport
was tied up in the State Department. Caring
for her aunt as best she could for the next few
months, Iva had trouble fitting in as she could
hardly speak Japanese and knew nothing of
the customs.
As international tensions mounted between
the two countries, she tried to return to the
land of her birth on December 2, 1941 but
paperwork problems forced her to cancel her
The Old Radio Times * July 2006 *
trip and just five days later , Pearl Harbor was
bombed. She assumed she would be interned
as an "enemy alien" but Japanese authorities
instead told her to give up her U.S.
citizenship. She refused. Iva remained at her
aunt's home, was considered an "American
spy" by her neighbors, and finally found work
as a translator at a Japanese news agency.
Shortly after this, she learned that her entire
family had been interned at the Gila River
Relocation Center, where they would spend
WW II behind barbed-wire.
Later she met a Portugese-Japanese
pacifist, Felippe d' Aquino, who became her
best friend and paid her medical bills when
she was hospitalized for beriberi and scurvy,
the result of her inability to get good food.
Desperate for money, she took an additional
job at Radio Tokyo as an English-language
typist. There she met three POWs on loan to
that radio station: Australian Major Charles
Cousens, captured at Singapore, Captain
Wallace Ince (U.S. Army) and Lt. Norman
Reyes of the Philippines, all of whom had
radio experience. Under the noses of the
Japanese, their assigned program, Zero Hour,
was filled with sly digs at the Japanese,
sarcasm, and planned flubs. They trusted Iva,
who was smuggling medicine and food to
them from her own meager supplies. While
the Japanese assumed that Zero Hour was
demoralizing the American troops it was
aimed at, Cousens' group assured that never
happened.
The trio brought Iva to the microphone
since she shared their views and would not
betray them. Beginning in November, 1943,
she played records and talked to the GI's as
"Ann" which Cousens later changed to
"Orphan Ann." Zero Hour was soon expanded
to 75 minutes, of which she had 20 minutes.
(Continued on page 2)
Number 8
1
Tokyo Rose (Continued from page 1)
Her theme song was Gershwin's "Strike Up the
Band", the fight song from her alma mater. While her
listening audience of American GFs and sailors
nicknamed her "Tokyo Rose" she never used that name on
the air.
While Iva was the usual female voice on "Zero Hour"
many other English-speaking women were also on it,
including Ruth Hayakawa, Mieko Furuya, and Mary Ishii.
After her marriage to d' Aquino on April 19, 1945, Iva
abandoned the mike, but a month later, when Denmark
broke relations with Japan, she lost her paying job as a
typist at the Danish embassy, so she had to return to her
Radio Tokyo employment.
In August 1945, Japan surrendered, following the
atomic bombing of Hiroshima and Nagasaki. Iva and her
new husband began plans to relocate to the U.S. She
acknowledged her "Tokyo Rose" identity in a press
conference with dozens of U.S. reporters, but pointed out
that she had never broadcast any anti-U.S. propaganda and
had been loyal to her native country. Nonetheless, she was
arrested on October 17, 1945 and thrown in a tiny cell in
Sugamo Prison, used by the American Army to hold
Japanese war criminals, where she would spent the next
year. During that period her mother died and the rest of
her family moved to a suburb of Chicago to start their life
anew.
The legal section of the 8th Army concluded there was
no evidence that Iva had committed any treasonous acts
and she was released from military custody in October
1946. During the ensuing months, as she struggled to get
back to the U.S., the American media, led by Walter
Winchell, demanded she be brought to trial for treason.
More tragedy struck: in January 1948 her son died the day
after he was born in Tokyo.
The Department of Justice, yielding to media pressure,
arrested her in April 1948 and threw her back in a Tokyo
prison. She would remain incarcerated there, with no
attorney access, for the next five months, but she remained
convinced her trial would prove her innocence. In
September 1948 she was taken by ship to San Francisco
where she would await her trial, which did not begin until
July 1949.
The deck was stacked against her. The prosecution
brought from Japan only witnesses who would testify
against her; other witnesses were prevented from coming
to the U.S. The defense was able to produce only three
witnesses from overseas, all of whom were harassed by
U.S. judicial authorities before and during her trial.
Despite 13 weeks of testimony, making it the most
The Old Radio Times *
expensive trial in U.S. history, the jury took only three
days to produce a guilty verdict. In October 1949, she was
sentenced to 10 years in jail and fined $ 10,000. Six weeks
later, she was transported to the federal women's prison in
West Virginia where she would be behind bars for over
six years. A model prisoner, she earned time for good
behavior and was released in July 1956.
The government's animosity toward Iva did not end
then, for U.S. officials spent the next two years trying
unsuccessfully to deport her to Japan, despite her U.S.
citizenship. Her insurance policy was seized to help pay
her $ 10,000 fine and her family was hounded until they
paid every penny. The U.S. also destroyed her marriage,
banishing her husband from this country; they never saw
each other again.
By the early 70s, the tide was slowly turning in favor
of this gentle lady as various individuals and groups began
to believe in her innocence. In March 1976 the Chicago
Tribune published statements from the two strongest
witnesses against her at the trial, who now recanted their
testimony. That same year, she was able to tell her true
story on 60 Minutes and all the revelations led President
Gerald Ford to pardon her in 1977, making her the first
person in the U.S. to be convicted of treason and then
pardoned.
In the 1980s and 1990s, I suggested several times to
FOTR convention at Newark that an invitation be
extended to Iva Toguri, but the committee would not
consider it. During one convention I presented a panel on
"WW II Radio Renegades" and explained how her
innocence had been established.
Beverly Beyette (Jean Hay) whose radio show
"Reveille With Beverly" during WW II aired to military
personnel in 54 countries, said in 2003 "Iva was doing her
part for the U.S. war effort during WW II. I now call her
my friend and colleague." In the Winter 2004-05
publication of the WW II Veterans Committee the
complete history of Iva Toguri was set forth. The author,
Tim G.W. Holbert concluded: "It is clear that Iva Toguri
not only wants, but deserves, to be remembered as a loyal
and patriotic American." That same veteran's group
presented Toguri with the Edward J. Herlihy Citizenship
Award on January 15, 2006.
The internet offers many updates of Iva's history and
current status; obviously some are more accurate than
others. D.N. Dyar of Portland, OR, is the webmaster of
one of the best sites:
http://www.dyarstraights.com/orphan ann/orphanan.html
He and his associate, Barbara Trembley, can forward by
email any communications to Iva , who is retired in
(Continued on page 3)
tily2006 * Number 8 2
Tokyo Rose (Continued from page 1)
Chicago, IL. To contact her, send email to
<iva@DyarStraights.com>
This gracious, patriotic lady will be 90 years old on
July 4th. What a wonderful gesture it would be if every
OTR fan who reads this article will send her birthday
greetings. I shall, and I hope you will too.
Bringing OTR Into the Future
(or How We Ruined An OTR
Enthusiast's Toy)
Andrew Hopkinson
Recently we, and by we I mean Doug and son,
completed a project that we had been working on and
planning for a good amount of time. We had been hearing
of other OTR fans, especially Mark McClure, buying old
and broken, or at least semi-broken, radios off of Ebay and
then taking these and fixing them up, repairing and
refinishing them, and putting them on display in their
houses.
Now this is an appealing idea. OTR is good and old
radios are, to be blunt, cool. The project begs the question,
what do you do with a refinished old-time radio? There is
rarely OTR on the air these days, if you are even so lucky
as to have a station that broadcasts it at all, and solely
playing your local rock station on it seems nothing short
of treasonous.
Mark found an interesting solution to this issue by
having an analog input placed on the radio, which allowed
him to play audio out of his computer through the radio.
This is a feasible solution. OTR can be played, and it is
still a working radio. This, however, didn't click with us;
we wanted more than just a glorified speaker, and we
certainly wanted something that didn't depend on being
hooked up to a computer. In other words, a stand alone
solution.
So we toyed with the idea of taking an old-time radio
chassis and turning it into a jukebox in its own right. This,
of course, meant turning it into a computer. How we
would accomplish this wasn't quite clear, mainly because
we didn't even have a radio to work with and as such we
had no idea what would fit, and what would look good in
it. So we agreed that the first thing that needed to be
accomplished was to find a decent condition radio of a
decent size that would serve as the foundation for our new
idea.
Well, the gods of OTR, and the gods of gadgetry,
smiled upon us, for no more than a week after we dreamed
up the project, did a local and good shape radio turn up on
ebay. This radio was a 1948 model Philco console, the 48-
1263. The radio was working, by which I mean that it
would turn on and get all of three stations in.
When we arrived and picked up the radio, we found it
to be bigger than expected, but this was a bonus. More
room meant a wider variety of options. Once we got the
radio back home and inspected it, we found it to have a lot
of potential. A few basic questions had some answers
now.
We could easily fit regular sized computer parts into
this case. Before, we had been afraid that we may have
had to purchase a SFF, form factor, computer. This meant
that we could use the spare parts we had laying around,
which was a good thing; more money saved to purchase
other radio-related parts. The first thing we agreed upon,
(this "we" now excludes Doug and includes a friend of
mine, Kyle, who was called in to do the electrical work),
was that the main board of the radio would have to come
out. So we set to work and had it out in few minutes, and
that's when the radio proved to us that we knew nothing
about it or any other piece 1940's technology.
You can see in this picture that the main board of the
radio is the key point of this case, without it we could not
maintain the true radio look of the unit.
We were able to replace the lights in the radio dial
display with ones that were compatible with the 5 volt line
in a computer power connector.
The other thing we noticed when we took the main
board off was that someone had fairly recently put a lot of
work into this radio, everything had been painstakingly
rewired. This made us feel guilty about our intended work,
so guilty that we actually considered simply leaving the
radio as is, but we quickly regained sight of our goal and
agreed that we had, in fact, bought this radio with only
(Continued on page 4)
The Old Radio Times * July 2006 * Number 8
3
Bringing OTR into the Future (Continued from page 3)
one thing in mind and that was what we were going to do
with it, nothing less. Well, that and we figured we could
cause some sort of outrage. (You took apart a working
radio?!?)
This is the finished front display. The bottom left knob has
been replaced with a speaker control and the top left knob
turns the computer on or off.
The next step was figuring out just how we wanted to
place the part in there. I handled this part alone armed
with a short stack of wood, a hammer, and a terrible sense
of carpentry. The first step was to get the motherboard
we'd picked out (a Slot-1 board purchased back in 2000)
mounted into the case and get it secured.
The first thing I did was cut down a piece of wood so
that it fit very snuggly into the bottom of the case. This
worked out well as the base of the radio expanded inward
and outward, giving the wood a nice resting place. A
decision was made to forgo securing the wood, which
proved helpful later on in the building process, since it
would be a stationary unit. I'll keep the rest of this brief as
it is probably the most boring part, but I will say that with
the help of a drill I mounted a motherboard to the piece of
wood, and then built a shelf over the motherboard to
mount other pieces. The end result is displayed below.
This is the finished mounting job. Remember I'm not a
professional and it's probably good enough to be a
factory job. Though the power supply and hard drive look
as though they are simply sitting there, I secured them
using space-age Velcro-tape.
I decided to use a 4.1 Cambridge Soundworks speaker
system. I mounted the subwoofer to the bottom piece of
wood next to the shelf built above the motherboard, again
using our trusty Velcro-tape. Once that was accomplished,
the next question was reached; how do we want to interact
with this system? The first option was simply connecting
to it through the network. The decision was, however, to
hook up an LCD monitor. The front of the radio case had
a large compartment that pulled out and allowed you to
use the phonograph. This seemed to be a perfect place to
put the LCD. So we removed the phonograph and awaited
the delivery of a 17" LCD. Below is a picture of the
finished mounting of the LCD.
The LCD pops out when you pull on the handle. Inside the
ledge is also a small keyboard and a wireless mouse. A
more detailed picture will be shown further on.
(Continued on page 5)
The Old Radio Times * July 2006 * Number 8
4
In the mean time we decided to figure out how
functional we could make the radio's knob. We wanted to
make it so that the knobs and controls were for more than
just display. We wanted them to do something. We left the
station dial as is, since we wanted it to look functional.
We wanted one of the knobs to turn on the computer.
This proved to be tricky as for a computer switch, the
connection has to be made once and then stop, but with
the radio switch, the radio is only on while the connection
is made. So there were two choices; rig up a push button
under the knob, or figure out how to use the current knob.
After a little tinkering we realized we could use the
current knob by turning the knob all the way on and then
back off, this would start or turn off the computer.
Next we used liquid nails to mount the radio control
under the radio display so it could take the position of a
knob (we had to hacksaw off the original knob to make
room). Once that was done we waited until we received
the LCD.
Once we received that, (after a delivery mix up at Fedex
which ended up with the package being delivered a few
blocks away), we finished up the physical portion of the
radio project. Pictured below is the finished mounting of
the LCD and the keyboard.
You can see in the above picture that the computer is
not using a typical windows interface. We utilized
Desktop X from Stardock to give it a simpler and more "to
the point" feel. The background is wood grain, and there
are a few shortcut graphics. We topped it off with an OTR
skinned Winamp to play MP3's on. This is also how the
radio would appear when logging in through the network.
At this point we have judged the radio finished. It has a
few issues which still need attending to, such as the over-
heavy power strip inside the radio. (Velcro-tape didn't cut
The Old Radio Times *
it) Below are some pictures of the finished product.
2006 * Number 8 5
Historical Dictionary of American
Radio Soap Operas, by Jim Cox
A Review by Stewart Wright
In 1999 the book The Great Radio Soap Operas by Jim
Cox was published. This book focused on 31 of the
hundreds of soap operas that aired during the Golden Age
of Radio and whetted the appetites of old-time radio fans
for a more comprehensive volume on radio soap operas.
In late 2005 that more inclusive book arrived. Scarecrow
Press published Jim Cox's Historical Dictionary of
American Radio Soap Operas as a volume in their
"Historical Dictionaries of Literature and the Arts" series.
OTR fans have come to expect informative and
entertaining books from Jim Cox. They will not be
disappointed by his Historical Dictionary of American
Radio Soap Operas. Jim has packed an amazing amount
of information into his 320 page volume.
The book starts with an informative chronology that
spans the time period 1925 to 1960, halcyon days of the
radio soap opera. The introduction covers the origins,
basic plot and characterization schemas, and business
aspects of radio soap operas. The concluding section of
the introduction deals with an overview of the dictionary
which discusses its content and organization. The
dictionary is the main part of the book and is arranged in
alphabetical order and contains over 450 entries that fall
into one of four categories.
Series:
There are in excess of 300 entries on the individual series,
famous and obscure. These entries contain information on
primary titles (and cross references to alternate titles), plot
and character overview, network affiliations, beginning
and ending air dates, and cast, crew, and sponsor
information. It is, in all probability, the most
comprehensive listing of American radio soap operas.
Individuals:
Over 60 biographical entries deal with actors, writers,
directors, producers, and announcers who prominently
figured in the success of the genre. Several more entries
cover authors who have written about the American radio
soap opera.
Topics:
Additionally, there are more than 50 entries that supply
the reader with illuminating information on broadcasting
terms, plotline concepts and devices, and soap opera sub-
genres.
Organizations:
Finally, there are over 20 entries that discuss major
advertising and talent agencies, awards, networks,
The Old Radio Times * July 2006 * Number 8
production companies, ratings services, sponsors, and
unions.
The bibliography contains much more information than
just citations on of reference works and periodicals
dealing with radio and soap operas. Additional sources of
information on major soap opera figures are listed.
Information is integrated on several useful Internet
websites. There also is a listing of research archives with
prominent collections of soap opera related materials.
As this book is a dictionary, there is no index.
However, throughout the book, references to persons,
series, topics, and organizations that have their own
separate entries are shown in bold text.
Jim Cox has added yet another highly informative and
enjoyable book to the body of literature on American old-
time radio. There is no doubt that his Historical
Dictionary of American Radio Soap Operas will become
the standard general reference on the American daytime
radio adult serial drama. If you are a fan of radio soap
operas or just interested in old-time radio history in
general, this book deserves a place in your library.
Historical Dictionary of American Radio Soap Operas
By Jim Cox
ISBN 0-8108-5323-X
November 2005
320pp
$70.00 Cloth
The Scarecrow Press, Inc.
4501 Forbes Blvd Suite 200
Lanham, MD 20706
301-459-366
www.scarecrowpress.com
HISTORICAL DICTIONARY OF
American Radio
JIM COX
Johnny Dollar' s Travel Trivia
Ed Sehlhorst
Do you remember the geography game, "Where in the
World is Carmen Sandiego?" Well it prompted me to play
the game with Johnny Dollar. So "Where in the World is
Johnny Dollar?"
When plotting all the various assignment locations, I
found that about 10-15 percent of the locations are either
fictitious or refer to a place. Places could be a ranch or an
old mine, or even a fishing camp on Lake Mojave. It was
especially noticeable if somehow the plot would cast the
city in a poor light.
Johnny's Top Ten List of work assignments:
New York NY
64
Hartford CT
52
27
San Francisco CA
16
Boston MA
14
Philadelphia PA
11
Sarasota FL
11
Davis Dam AZ (Lake Mojave
10
Resort)
Las Vegas NV
9
Chicago IL
9
And on the map it looks like white dots . . .
WASH.
Canada
ONTARIO
B.C. : ALTA. .
Pacific
Ocean
NFLD. AND
LAB.
QUEBEC
.^MANITOBA:
—J
WYOMING Q
O T
/oU.Nol t
r u Q>
"■' MINN
;me.Vhb-
^Monjteal S
Los Angele;
San Diego — >
• HEW MEXICO :
v t Ottawa /" ' q/
fift -Toronto ': : i
MICHIGAN ^CNEWYORlfevyD
-t "id!
R o
licago
: O :.Q PA- J
5 I oQoQ/-«:-?v;^>
.Phoenlx
.as " M'X k:
OKLA° D |
■ ■. ARKANSAS
■ .kf:VI. VA.
CD
TEXAS
Dallas!
aP£'
San Antonio
MEXICO
r
Monterrey
J I
JLouisiah^o ':
Houston
V NORTH CAROLINA
>o o
\ °
b
GA. 0
o o
o
Oassau
^Guadalajara
Atlantic
Ocean
Q:t>.tH»C:BG3 f.U: [:.:-. 1V: . ir It : IM'IH: -II intt [r -r.- l
Hauana„ THE BAHAMAS
° O
CUBA
Caribbean Sea HMlt
(3asseterreo DSt. John's
(Continued on page 8)
The Old Radio Times * July 2006 * Number 8
7
But we started this out saying where in the WORLD is Johnny Dollar. Well, we've taken care of that, too.
Arctic Ocean
Asia
. CHINA
GREENLAND
-J (DEN.)
SVALBARD
(NOR.)
INDONESIA I
1 C
AUSTRALIA
Indian Ocean
RUSSIAl
■ope
Pacific Ocean
'VBRAZILO
Atlantic
Ocean
WeddeS Sea
Antarctica
A'
1*
r
o
Now we all know that Johnny spent most of his out-of-
country time in Paris dealing with the "cat," five times in
fact. But his second busiest stop was just across the
English Channel with three visits to London. That ties
with Haiti, Port-au-Prince. Johnny was always off to
somewhere; Kingston Jamaica, Hong Kong, Singapore,
even five trips to different parts of Mexico. If you need
all the details, the list follows:
State/Co City/Location
Malaysia Kuala Lumpur
Malaysia Total
AK
AK Total
AR
AR Total
AL
AL Total
Algeria
Algeria Total
Fairbanks
Little Rock
Birmingham
Talladega
Algiers
Total
1
1
1
1
1
1
1
1
2
1
1
AZ Davis Dam 10
Grand Canyon 1
Kingman 3
Phoenix 2
Tucson 3
Twin Buttes, Pima 1
AZ Total 20
Brazil Belo Horizonte 1
Brazil Total 1
CA Balboa 1
Bar stow 1
Beverley Hills 4
Clear Lake 1
Hollywood 6
Inglewood 1
Long Beach 1
Los Angeles 27
Malibu 2
Morel Bay 1
Newport Beach 4
The Old Radio Times * July 2006 * Number 8
(Continued on page 9)
8
Johnny Dollar (Continued from page
8)
Ocean Park
V /V~V_ (.111 A CI 1 1 V
1
Palm SI nri no's
J. Cl-LJ.ll O L/llll£iiJ
2
San RpTTiardiTio
<J till L-f 11 til U.111W
1
San Diego
6
San Francisco
16
San Pedro
1
Santa Barbara
1
Santa Monica
1
Simi Valley
1
CA Total
79
China
Hong Kong
2
China Total
2
CO
Clinton
1
Colorado Springs
2
Craig
1
Crystal Lake (lake) 1
Denver
6
Divide
1
Green Mountain Falls
3
CO Total
15
Colon
Colon
1
Colon Total
1
CT
Bridgeport
3
Danbury
2
Fairfield
1
Granby
1
Hardford
1
Hartford
52
Lakewood
2
Manchester
2
Milford
1
New Bedford
1
Skeleton Point
1
Waterbury
1
CT Total
68
Cuba
Havana
1
Los Spanios
1
Cuba Total
2
DE
Wilmington
1
DE Total
1
Egypt
Cario
1
Egypt Total
1
England
London
3
England Total
3
FL
Bradenton
1
Everglades City
3
Key West
1
Miami
1
Houton
1
Miami Beach
2
Middleborough
1
Sault Ste. Mane
2
Sarasota
11
MI Total
7
Tampa
1
MO Greensport
1
Venice
1
Joplin
1
FL Total
21
Kansas City
3
France Cannes
1
Kennett
2
Paris
5
MO Total
7
France Total
6
MS Gulf Port
GA Brunswick
1
Meridian
Savannah
1
MS Total
GA Total
2
MT Bute
Germany Berlin
1
Great Falls
Germany Total
1
Yaak
Haiti Port-au-Prince
3
MT Total
Haiti Total
3
NE Manhattan
IA Carrville
1
NE Total
Des Moines
1
New Guinea Port Moresby
IA Total
2
New Guinea Total
IL Chicago
9
NH Center Harbor
Lockport
1
V// Total
IL Total
10
Nicaragua Managua
IN South Bend
1
San Juan del Sur
IN Total
1
Nicaragua Total
India Calcutta, West Bengal,
TVTT /~1 1
NJ Camden
1
Cranford
India Total
1
Enterprise
Jamaica Kingston
1
Freehold
Jamaica Total
1
Interlaken
KY Lexington
1
Lake City
KY Total
1
Pemberton
LA New Orleans
4
Trenton
LA Total
4
Upper Montclair
Lebanon Beirut
1
Vineland
Lebanon Total
1
Woodbine
MA Boston
14
NJ Total
14
Cod Harbor
2
NM Farmington
East North Weldon 1
Fort Shelden
MA Total
17
Virginia City
MD Baltimore
2
NM Total
MD Total
2
NV Coopers Bend
ME Portland
Davis Dam
ME Total
Lake Mojave
Mexico Cozumel
Las Vegas
Ensenada
Reno
Mexico City
South Lake Tahoe 1
Monterrey
Virginia City
Santa Tomas
Winnemucca
Mexico Total
5
NV Total
19
MI
Detroit
The Old Radio Times * July 2006 * Number 8
(Continued on page 10)
9
Johnny Dollar (Continued from page
9)
NY
Albany
Bethel
Buffalo
Catskill
Kingman
Kingston
Manhattan
New York
Ossining
Port Jarvis
1
3
5
1
1
1
2
64
1
1
Stony Hollow 1
Yonkers 1
NY Total 82
OH Benton 1
Columbus 1
Jackson 1
Kranesburg 1
Toledo 1
Youngstown 1
OH Total 6
OK Pond Creek 3
Tulsa 1
OK Total 4
OR Eugene 1
Portland 1
OR Total 2
PA Philadelphia 1 1
Piney Corners 1
Pittsburgh 1
Tamaqua 1
Uniontown 1
PA Total 15
Panama Panama City 1
Panama Total 1
Philippines Manila 2
Philippines Total 2
Puerto Rico San Juan 1
Puerto Rico Total 1
RI Providence 2
RI Total 2
SC Cayce 1
Charleston 2
Georgetown 2
Hartford 1
SC Total 6
Singapore Singapore 3
Singapore Total 3
South Africa Capetown 1
South Africa Total 1
Sumatra Medan 1
Sumatra Total 1
Switzerland Zurich 1
(Continued on page 11)
Switzerland Total 1
Tahiti Papeete 1
Tahiti Total 1
The Bahamas Crooked Island 1
The Bahamas Total
TN
TN Total
TX
Knoxville
Memphis
Nashville
Corpus Christi
Dallas
Fort Worth
Skidmore
South Padre Island
TX Total
VA
Green Pass
Vicksburg
Virginia Beach
VA Total
Venezuela Caracas
Venezuela Total
3
2
2
VT
1
VT Total
WA
WA Total
WI
WI Total
WY
Shady Lane, Fair Haven
Chuckanut
Milwaukee
Muddy Gap
Rexford
WY Total
Grand Total
2
491
The Old Radio Times * July 2006 * Number 8
Pipe Tobacco Sponsors
Unusual DJ Program
Danny Goodwin
"That Bond Street Tobacco with its wonderful
unmistakable aroma."
— "The Lonesome Gal"
When there wasn't any specific programming on the
radio station's schedule during the golden age, the time
was usually filled with "disk jockey" programs. With an
occasional chat between records, these programs featured
recorded music. With one exception, disk jockey
programs were pretty much the same. Not only was that
one exception different, it was a program that was
definitely in a class by itself.
The Lonesome Gal was a late night DJ program the
male radio listeners of all ages enjoyed tremendously. The
DJ was known as "The Lonesome Gal," a mysterious lady
with considerable sex appeal in her speaking voice. The
program was a quarter hour romantic interlude by Ms. Gal
with any lonely - and not so lonely male listener tuning
in. Instead of talking to a general audience, Ms. Gal's
speaking technique was one-on-one with every individual
male radio listener.
For the most part, this syndicated program had regional
sponsors (usually regional brands of beer). For a time, the
program was also sponsored by Philip Morris & Co., Ltd.
for its Bond Street Pipe Tobacco. It was a sponsor that
was tailor made for Ms. Gal's romantic comments.
Although this program doesn't display the sexual
overtones as today's entertainment, The Lonesome Gal
was ahead of its time in the romance department. In
between romantic musical recordings, Ms. Gal used a
teasing technique in her conversation with the men in the
listening audience. Her romantic advances were minor and
tastefully done on the air.
Bond Street played a key role in Ms. Gal's romantic
advances. Instead of an actual commercial, Ms. Gal easily
blended her sponsor into the conversation. To begin, Ms.
Gal complimented the man with whom she was talking on
how he looked, walked, talked - and smoked a pipe full of
Bond Street. Ms. Gal mentioned that she loved Bond
Street's wonderful and mellow aroma. So much so, she
offered to pack a pipe full of Bond Street and light it up
for the man she was talking to. Ms. Gal stated that she
truly enjoyed watching her romantic interest relaxing and
smoking a pipe full of Bond Street.
For those men who didn't use Bond Street or even
smoke a pipe for that matter, Ms. Gal made sure her
romantic conversation was directed at them. She highly
recommended those men to start smoking a pipe full of
Bond Street.
Before anyone knew it, Ms. Gal completed the Bond
Street commercial in a smooth, effortless manner. With
the words for Bond Street presented on the air, she
continued with the next recording.
Whether you approve of this type of program or not,
the Lonesome Gal used a very clever way in selling her
sponsor on the air. To put it in its proper perspective, it
was a method even Arthur Godfrey couldn't do. Although
the men drooled at every sultry word she said, Ms. Gal's
romantic comments between records were, in reality, the
Bond Street commercials. Even for those men who
despised radio commercials, they truly enjoyed hearing
about Bond Street. Now that's effective radio advertising,
wouldn't you say?
Author's Note: During her stint on the air, no one in
the listening audience knew what the Lonesome Gal
looked like. When she appeared at live events, Ms. Gal
was still a lady of mystery. She wore a large black mask to
cover her facial features. If you're wondering, the
Lonesome Gal in real life was Jean King, who was
married at the time she was doing the broadcasts.
Pipe Smokers —
Modi by the ipeciol Philip Morris procasi
The Old Radio Times * July 2006 * Number 8
11
Radio in 1939
Donna Halper
The final year of the 1930s was still part of the
"Golden Age of Radio." According to Radio Today
magazine, there were now 44 million radios in use in the
United States. As for the talent scene, critics were singing
the praises of an up and coming vocalist named Dinah
Shore. A new male vocalist named Dennis Day was doing
quite well on the Jack Benny show on NBC. And speaking
of NBC, perhaps you recall Fred Waring and his
orchestra, which joined that network in 1939, sponsored
by Chesterfield. Perhaps you had your copy of White's
Radio Log handy, so that you could check out the call
letters and frequencies of distant stations - late night
dx'ing was a popular hobby for radio fans. As for radios,
perhaps you owned an Emerson portable (you could get a
nice 5-tube superheterodyne for only $19.95) - and the
popular battery portables continued to get smaller and
lighter: Majestic offered one that only weighed four
pounds !
There were plenty of radio dramas and soap operas on
the air - you were enjoying Ezra Stone in The Aldrich
Family on NBC-Blue, while The Guiding Light was on
NBC-Red, as were Phil Spitalny's All-Girl Orchestra
starring in the Hour of Charm. Life Can be Beautiful was
on CBS, and The Lone Ranger was on the Mutual
Network. Also, 1939 was a significant year for FM - in
late May, Yankee network owner John Shepard III teamed
up with inventor Edwin Howard Armstrong to bring the
new technology to New England - W1XOJ was the first
FM station in Massachusetts, soon to be followed by
W1XER in New Hampshire.
If you were alive in 1939, you know what a great year
for entertainment it was - undoubtedly, you went to New
York for the opening of the World's Fair. RCA's David
Sarnoff was there, announcing that television was here to
stay, and demonstrating his company's first TV station,
W2XBS - soon to be known as WNBT. And that was one
of many amazing events; your 75 cents admission
The Old Radio Times *
1939 New York's World Fair
transported you to the "World of Tomorrow", with its
vision of a future without crime or unemployment or litter,
where cars that looked a bit like space ships sped along
the superhighways which joined even the most distant
cities. In the World of Tomorrow, every home was filled
with labour-saving devices to make housework easier, and
the ultimate in servants was a robot named Electro. Over
40 million people would visit the Fair before it ended,
including such luminaries as President Roosevelt, the
King and Queen of England and Albert Einstein.
Having endured so much suffering during the
Depression, the country was eager for a hopeful vision of
the future. Perhaps that is why the movie The Wizard of
Oz touched so many hearts, along with Judy Garland's
beautiful song, "Over the Rainbow." And another big
movie in 1939 was the somewhat controversial Gone With
the Wind - to us today, the idea that the word "damn"
would cause any consternation seems odd, but in the
1930s, there was a very strict code of conduct for all
movies, and it included a list of "banned words," the
presence of which could cause a director problems.
Luckily, Gone With the Wind managed to avoid being
censored, Rhett did in fact say "Frankly, my dear, I don't
give a damn," and audiences didn't seem especially
shocked. The movie was a huge success and it went on to
win the Academy Award for Best Picture, with Vivian
Leigh also winning Best Actress.
Nineteen thirty-nine was a good year for new
inventions - DDT, for example, and a wonderful new
fabric called "nylon." Pan American began commercial
flights across the Atlantic in 1939, and for those who
preferred to drive, the first cars with an automatic clutch
were available. A loaf of bread cost eight cents, and you
could get a new car for $700; the average person made
$1,729 a year.
Some of the music in 1939 was patriotic - Kate Smith
was constantly asked to sing "God Bless America" on her
radio show - but other songs were just silly and fun -
(Continued on page 13)
tily2006 * Number 8 12
Radio in 1939 (Continued from page 12)
"Beer Barrel Polka: was a big hit in 1939, as was "Three
Little Fishes." And a new trend was developping: several
radio stations now featured personable announcers who
played records and talked to the audience. Among the
most popular of these new "disc jockeys" was New York's
Martin Block with his popular show The Make-Believe
Ballroom. In Chicago, the first African- American disc
jockey, Jack Cooper, had been on the air throughout the
1930s, and he still was playing the hits in 1939. Although
radio stations in 1939 had few black announcers, more and
more songs by black performers were being heard on a
regular basis - Duke Ellington's Orchestra was especially
popular, as was female vocalist extraordinaire Ella
Fitzgerald. And while most major pro sports were still
segregated, boxing was not; one athlete who kept right on
winning was Joe Louis, whose matches were always heard
on radio. In an interesting news note, one of the country's
largest and most respected black newspapers, the
Pittsburgh Courier, had already sent a reporter to Europe
to cover the growing tension there - and since he spoke
French, he was able to scoop several of his white
colleagues when hostilities broke out in France.
As for America's most famous woman, the First Lady,
Eleanor Roosevelt was a frequent guest on the networks -
she gave several talks in 1939, including one around
Mother's Day about the contributions women made to the
founding of the United States. Women's shows (cooking,
homemaking, fashion, etc) were still a fixture of many
stations, but several stations also had women news
announcers and even a woman commentator or two.
Probably the best known was former newspaper columnist
Dorothy Thompson, who became the NBC network's first
woman correspondent - she even made the cover of Time
Magazine for being one of the few network newswomen.
Americans in 1939 didn't want to think about a war in
Europe; most preferred to stay neutral. But reporters like
H.V. Kaltenborn and Edward R. Murrow knew what was
happening and tried to keep the listeners informed. It was
a very ambivalent time in America - while many people
were outraged by what Hitler was doing, in New York,
22,000 pro-Nazi sympathisers held a large and noisy rally.
Meanwhile, in Canada, the government banned Father
Coughlin's newspaper Social Justice for being excessively
racist and prejudiced, but in the USA, he was still on a
large number of stations and still causing controversy.
When Germany was invading Poland and
Czechoslovakia, all the major radio networks sent
reporters to do live coverage. President Roosevelt was still
insisting the United States would stay out of the war, and
most of us had no reason to doubt him. He remained a
very popular president, and his Fireside Chats were an
essential element of how he reached out to the average
person. FDR had been doing these talks since 1933, but
even six years later, people still looked forward to them.
Few Americans could foresee that we would be unable
to remain outside the hostilities indefinitely. As 1939
ended, radio was still king, dance bands were still the
rage, and the future looked reasonably bright. A large part
of the decade had been very difficult for many Americans,
but now it seemed things were continuing to improve.
Donna Halper is a broadcast historian at Emerson
College. This article originally appeared at www. old-
time, com and is reprinted here by permission of the
author.
THE WIND
The Old Radio Times * July 2006 * Number 8
13
Librarian's Shelf
New Release
Blair of the Mounties
Accurate Ver. 1
Cloak and Dagger
Accurate Ver. 1
Kiddie Records
Accurate Ver. 1
OTRR Certified Sets
50 Years of Radio on NBC
Complete Ver. 1
Absolute Power
Complete Ver. 1
Academy Award Theater
Complete Ver. 1
Adventures By Morse
Complete Ver. 1
Adventures of the Poll
Parrot
Accurate Ver. 1
Alka Seltzer Time
Complete Ver. 1
An Evening with Groucho
Complete Ver. 1
Big Show
Accurate Ver. 2
Black Museum
Accurate Ver. 2
Blue Beetle
Complete Ver. 1
Box 13
Complete Ver. 1
Bright Star
Accurate Ver. 1
Candy Matson, Yukon
28209
Accurate Ver. 1
Case Dismissed
Accurate Ver. 1
Chet Chetter's Tales from
the Morgue
Complete Ver. 1
Cinnamon Bear, The
Complete Ver. 1
Crime Classics
Accurate Ver. 3
Cruise of the Poll Parrot
Complete Ver. 1
Dark Fantasy
Accurate Ver. 1
The Devil and Mr. O
Complete Ver. 1
Dimension X
Complete Ver. 1
Dr. Kildare
Accurate Ver. 2
Family Doctor
Complete Ver. 1
Frontier Gentleman
Complete Ver. 2
In the Name of the Law
Complete Ver. 1
Incredible, but True
Complete Ver. 1
It Sticks Out Half a Mile
Complete Ver. 1
Luke Slaughter of
Tombstone
Complete Ver. 2
Magic Island (2 discs)
Complete Ver. 2
Marriage, The
Accurate Ver. 1
Mr. Keen, Trace of Lost
Persons
Accurate Ver. 3
Mystery House
Accurate Ver. 1
Philo Vance
Accurate Ver. 1
Planet Man, The
Accurate Ver. 1
Port of Call
Complete Ver. 1
Richard Diamond (4 discs)
Accurate Ver. 1
Rocky Fortune
Complete Ver. 1
Rogue's Gallery
Accurate Ver. 2
Rotary Golden Theater
Complete Ver. 1
Sam Spade, The Adventures of (2 discs)
Accurate Ver. 2
Shell Chateau
Accurate Ver. 1
Six Shooter, The
Complete Ver. 4
Smiley Burnette (4 discs)
Accurate Ver. 2
Stand By for Crime
Accurate Ver. 1
Tennessee Jed
Accurate Ver. 1
Victor Borge Collection
Accurate Ver. 1
You Can't Do Business with Hitler
Accurate Ver. 1
Complete - Set includes complete series.
Accurate - Set includes all known episodes in
existence.
*These series are available on compact disc, via
Streamload online delivery, and on our very own
Internet Hub. Contact Alan Foster at
(allanpqz @ gmail.com) for more details.*
The Old Radio Times * July 2006 * Number 8
14
Kiddie Records Weekly
Roger Hohenbrink
Why an OTRR special on kiddie records you say? To
answer this, many kiddie records were produced during
the same time frame as many old-time radio shows and
many stars of radio also made kiddie records.
Take the "the Happy Prince." This Oscar Wilde fairy
tale is adapted and directed by the great Orson Welles,
(The Black Museum). He also narrates this melancholy
story, which features Bing Crosby as the prince and
Lurene Tuttle, (Effie on Sam Spade), as the swallow. The
music is composed by one of the giants of film music,
Bernard Herrmann, and is directed by Victor Young,
(Shell Chateau), another major musical figure from that
era.
Then on the kiddie record "Gerald McBoing Boing,"
one of the most familiar voices from old-time radio, the
Great Gildersleeve (Harold Peary) tells us the story of Dr.
Suess' Gerald McBoing Boing. Gerald can't talk; he goes
"boing boing" instead!
Captain Bill Meets Feary O 'Leary
Captain Bill tells Ricky and Judy the story of Feary
O'Leary, an Irish sea monster. The narrator, Don Doolitte,
was a 1940's radio announcer.
Bugs Bunny in Storyland
Farmer Fudd chases the wacky wabbit out of his carrot
patch and into the woods, where he stumbles upon the
gates of Storyland. Once inside, Bugs takes us through
several Mother Goose nursery rhymes. Mel Blanc, one of
radio's greats, was the voices on this record.
BABY SNOOKS Kiddie Record
Fanny Brice (1891-1951) was the stage name of Fania
Borache, a Jewish comedienne who began headlining with
the Ziegfeld Follies in 1910. The character of Baby
Snooks, a mischievous brat she had first played in
vaudeville in 1912, was featured on radio from 1936 until
her death. Barbara Streisand starred as Brice in the 1964
Broadway musical Funny Girl, which made her an
overnight sensation.
The Old Radio Times *
We could go on and on with the many radio stars that
made kiddie records.
Now with the permission of the Kiddie Records
Weekly Web Site (http://www.kiddierecords.com/) we are
making available to the old-time radio community the first
of these great records from the past. This from the Kiddie
Records Weekly website:
"The Goal: We see this wonderful part of our past
slowly dying out and are concerned that one day these
recordings will be completely forgotten. Our mission is to
bring them back to life by sharing them with a new
generation of online listeners.
"Basic Hip Digital Oddio will be featuring weekly
stories and songs from the golden age of children's
records, a period which ran from the mid 1940s into the
early 1950s. This era produced a wealth of classics,
headed by Capitol's Record-Readers and the RCA Victor
Little Nipper series. Each one of these recordings has been
carefully transferred from the original 78s (plus a few 45s)
and encoded to MP3 format for you to download and
enjoy. We believe that people from around the world and
of all ages will be thrilled to hear these delightful
records."
And now a little history on Kiddie Records from the
"Golden Age" of Kiddie 78-rpm Records: 1946-1956, by
Peter Muldavin. "The 1940's brought in a number of
major innovations in the production of kiddie records that
allowed their sales to soar to astronomical heights as
compared with earlier years.
"The first and most important was the introduction of
vinyl ("non-breakable") records. Earlier produced records
were, for the most part, made of brittle shellac. Vinyl
records were almost unbreakable. Secondly, the records
themselves were often made of brightly colored materials
and were packaged in beautifully designed, vividly
colored sleeves and album covers. Thirdly, the availability
of small and inexpensive "kiddie" record players became
widespread.
"All of these factors combined to encourage parents to
buy records for the kids, knowing that they would stand
up to the rough handling and abuse that would surely
come to pass and that their children would be attracted to
them.
"In addition to the physical attributes mentioned above,
the creation and production of the songs and stories were
done, in many cases, at great expense and specifically for
the record being released. Prior to approximately 1953,
record companies did not have to compete with television
for the attention of the children with respect to
(Continued on page 16)
July 2006 * Number 8 15
Kiddie Records (Continued from page 15)
entertainment. Therefore, they competed with one another
in their productions to get market share.
"Most major companies hired (sometimes exclusively)
the talents of famous actors and singers. Many famous
personalities produced some or many kiddie records
(Dennis Day, Gene Kelly, Gene Autry, Patti Page and
Bing Crosby, to name a few). Others produced only one or
two (e.g. Groucho Marx, Jimmy Stewart, Jack Carson,
Ingrid Bergman and Lionel Barrymore). The end of the
1940's saw a proliferation of companies producing
seemingly countless series of kiddie records.
"Some of the larger producers started releasing the
more popular records e.g. Christmas carols, fairy tales,
kiddie bestsellers) as parallel issues in both 78 and 45rpm
formats in the early 1950's. The cover artwork was usually
identical in both. Eventually, after 78s were phased out
entirely, the 45 's continued to be released into the 1980's
until they were phased out in favor of cassettes and CD's.
"One of the most famous children's series from this era
was launched in 1948. Golden Records, a division of
Simon & Schuster, publisher of the famous "Little Golden
Books," started issuing small (6"), almost indestructible
yellow plastic records. This series was an immediate hit
with both parents and kids. They were available at almost
any grocery store for 25 cents. Most of the first issues
were musical story renditions of Little Golden Books. The
child could read the book and follow along with the
record. The series continued well into the 1960's and to
this day remains as the largest of all kiddie record sets,
with over 700 individual records issued.
"RCA Victor's youth series that began in 1944 became
known as the famous "Little Nipper" series in 1950. Many
of the popular Disney stories, which were made into
movies, as well as the more popular TV shows of the day
(e.g. Howdy Doody, Tom Corbett, Space Cadet) appeared
in this series and today are among the more valuable and
popular of all kiddie 78s.
"A few companies became known as strictly 'children's
record' producers. In addition to those mentioned in the
previous paragraphs, many readers will remember: Peter
Pan, Columbia Playtime, Record Guild of America, Voco,
Young People's Records/Children's Record Guild
(YPR/CRG) (CRG was, for a time, distributed by the
Book of the Month Club), Mercury Childcraft and
Playcraft, Red Raven 'movie' records and Cricket. There
were also a host of small companies that produced a
limited quantity of records, only a few of which were for
the kiddies. Unfamiliar as the following are, they,
nevertheless, contributed to the plethora of products. A
The Old Radio Times *
small sampling of labels of the post WWII era: Pied Piper,
Rocking Horse, Pilotone, Melodee, Toono, Belda,
DeLuxe, Winant, Allegro, Magic Tone, Karousel,
Twinkle, Color Tunes, Musicraft, Merry-Go-Sound,
Mayfair, Musette, Caravan, Wonderland, Adventure,
Carnival Toy, Cub, Fox, Star Bright, Jackalee, Kiddie
Land, Kiddietoons, Lincoln, Teddy Bear, Little Folks
Favorites, Little John, Magic-Tone, Mickey Mouse Club,
Disneyland, Moppet, Playola, Records Of Knowledge,
Remington Junior, Robin Hood, Small Fry, Hollywood
Recording Guild, Spear, Spinner, Superior, Talentoon
(came in box with marionette), Tots n' Teens, Treasure
and Willida. In addition, there are dozens of educational,
instructional, and religious series. Most of these are not
avidly collected, but are, nevertheless, part of the legacy
of kiddie 78s.
"Besides standard records, a large number of picture-
discs came out, including several that could be cut out of
the back of cereal boxes, such as Wheaties. With a picture
disc the whole record is a graphic image or photograph.
The grooves are either cut right into the picture, or on a
clear laminate of plastic that is affixed to the picture disc.
One places the needle right on the record's picture. As a
rule, picture discs are more valuable than standard
records."
Be on the look out for this great distribution from the
Old-Time Radio Researchers. And be sure to sign up for
his great distro brought to you by permission of Kiddie
Records Weekly Web Site and be sure to visit them at
http://www.kiddierecords.com Album covers and record
sleeves plus storybooks for each kiddie record are on the
CD.
Credits for this distribution follow:
The Kiddie Records Web Site crew - (Ford) weekly
production compiler and Web site manager.
Torrent Zip Files are created and managed by (Brian)
Metalboy. Album covers and record sleeves that have seen
better days have been restored by Kevin Anetsberger. A
portion of the descriptions for the 2006 year has been
provided by Dave Pruiksma. Special thanks to UbuWeb
and ArtMob, former hosts of our audio files. All have
volunteered their services and for that, we are very
grateful. Without them, Kiddie Records Weekly would not
be the site it is today.
Roger Hohenbrink (Compiler) and distro Jewel Case
art work.
Some of the material in this article has been reprinted
from http://www. kiddierekordking. com/ and
http.V/www. kiddierecords. com with the permission of their
respective authors.
July 2006 * Number 8 16
Tips For Starting A Kiddie Record
Collection
Peter Muldavin
For those of you who have been immersed in more
established collecting fields, starting a collection of
vintage children's records will be relatively inexpensive. I
would estimate that most "generic" kiddie records in at
least very good to excellent condition could be had for $3
to $10, and very often for much less. I am talking about
perhaps 80-90% of all those available.
Up to now there have been no comprehensive price
guides or checklists on children's 78rpms. That situation
will be remedied as of December, 2006 when my
identification and price guide on Vintage Children's
Records is published (Collector Books). Currently, there
are two books with imited coverage as follows: The
Golden Age Of Walt Disney Records -R. Michael Murray,
Antique Trader Books; and Picture Discs Of The World -
Joe Lindsay, BlOdisc, Scottsdale, AZ. The latter is out of
print.
So, if you are ready to begin your collection of vintage
children's records, here are a few pointers to help you get
started. Because most people collect kiddie records for the
graphics on the cover, records without original sleeves or
album covers have little or no collector value. Generally,
you can find loose (sleeveless) records for 250 -$1.00 at
flea markets, garage sales, Goodwill, etc. Of course, if you
remembered a particular one from growing up, you would
want to hear the record, sometimes "at any cost." In this
case, the existence of the original cover may not be as
important to you. The exception to this rule is, of course,
picture discs. The record itself contains the graphics. "Pic-
discs" start out at $4-5 and range up to $20-25 for the
majority. Many, however, are considerably more valuable.
Any record is ultimately worth whatever one is willing
to pay for it. Price guides such as my soon-to-be-
published book are just that: only 'guides.' Supply and
demand, along with the subject matter, is the driving
force. Records and their corresponding covers which
contain "characters" from TV shows, cartoons, juvenile
series books, movies, comic books, etc. will be more in
demand than their generic counterparts.
Certain generic subjects, such as black Americana,
paper doll cutouts (on the covers), 1950s rocket ships and
outer space themes, famous illustrators (of covers), robots,
and so forth, will also be more collectible. Crossover
collectibility results in greater demand, thus higher values.
The dealer knows that these records can command his
asking price because his customers want anything with
The Old Radio Times *
these characters on it. Mitigating that situation, however,
is the phenomenon of eBay and other Internet auctions.
Many previously scarce records have been coming out of
the woodwork, so to speak.
If you are used to collecting items only in mint
condition, don't get hung up on this criteria. Kiddie
records haven't survived the decades as well as many other
collectible items because of the wear and tear they
received from their young owners. If you see a record you
like in less than perfect condition, even if it is only "fair"
or "good," you may want to pick it up, especially if the
price is low (which it should be). Most of these records,
especially those with crossover collectibility, or limited
production, you may not see again for a very, very long
time.
Even though you may be buying the item for the
graphic beauty of the cover, the condition of the record is
relatively important. In other words, it shouldn't be
severely warped, cracked, or otherwise damaged.
Otherwise, it has no value. Just remember you are not
buying CD's here. Ultimately, the record is worth
whatever it's worth to you. Just enjoy! "If the records don't
come to you, you must go to the records." Try: Internet
searches, eBay, ads in antique and/or record collector
magazines, flea markets, garage sales, antique shows,
record shows - in other words, "all the usual suspects."
Peter Muldavin has that unique quality which makes a
collector of children's ephemera successful: he is "fifty-
something going on five. " Peter has been a longtime
collector of everything from baseball cards, stamps and
coins, and old children's books to his current focus on old
kiddie records. As with most of his collections, this one
got started as a nostalgic pursuit of some of his most
precious childhood memories. But, when he looked for
price guides and checklists to know what was "out there, "
he found none. And after his collection was well under
way, he even went to the Library of Congress to research
the subject. He discovered to his surprise that he had
more information than they did. At this point, Peter's
"hobby" became his "mission" - i.e., to list all kiddie
78rpm records made in the USA. His current inventory of
approximately 10,000 discs (not counting duplicates) is
the largest of its kind in the world. He is acknowledged as
the country's leading expert in this field.
This article is reproduced from
http://www.kiddierekordking.com/ by permission of the
author.
uly 2006 * Number 8 17
Midnight Cab
By
Fred Bertelsen
n
r
]
E
Created with EclipseCrossword — www.eclipsecrossword.com
□
Across
finally become friends
2. Off to a rocky start with Toronto Metro PD, Homicide Inspector Wilfred _
8. Krista spent most of her waking moments in a
9. David portrayed Walker Devereaux
10. Bob was the host of the CBC Mystery Project.
12. With everything else that was going on around him, Walker was trying to become an
13. A dead body in the trunk of Walker's cab in the first episode is what led him to the business of _
murders
Down
I. Midnight Cab was created by James W
3. Additionally Midnight Cab appeared on Morningside which was hosted by Rogers
4. Jacqueline played the Dispatcher Krista Papadopoulos.
5. Midnight Cab was part of the CBC's Project
6. Walker Devereaux came from (2 words)
7. Midnight Cab is set in
II. The friendly homicide Inspector was played by Neil
The Old Radio Times * July 2006 * Number 8
18
Last Month's Answers
The Whistler
L
G
0
R
D
0
0
1 10
B
I
li
L
E
E
R
W
13
T
H
I
S
s |
I'B
E
R
N
E
S
u
R
R
E
Created with EclipseCrossword — www.eclipsecrossword.com
Humphrey Bogart Trivia Answers
from June Issue
1. Dec 25, 1899
2. A Surgeon
3. Yes, in the Navy in WW 1
4. A bomb blast in WW 1
5. Duke Mantee
6. "High Sierra"
7. Sam Spade
8. Warner Brothers
9. "Dark Victory"
10. Rick
1 1 . Ingrid Bergman
12. Claude Rains
13. Dooley Wilson
14. Casablanca
15. Morocco
16. 4 times
17. Lauren Bacall
18. "To Have And Have Not"
19. "Bold Venture"
20. "The African Queen"
21. Charlie Allnut
22. Captain Queeg
23. "The Desperate Hours"
24. "The Harder They Fall"
25. January 4, 1957
Congratulations to Fred McGurn, winner of a personally
autographed picture of Bob Hope for being the first
responder with all the correct answers.
The Old Radio Times * July 2006 * Number 8
19
OTRR Releases Cloak and Dagger
OTRR Treasury Report
The hard working members of the OTRR Group
announce the release of Cloak and Dagger to the
community.
Cloak and Dagger opened over the NBC network on
May 7, 1950. It had a short run through the summer on
Sundays, changing to Fridays after its summer run. The
last show aired Oct. 22, 1950. The series told fictional
stories of OSS agents during World War II who took
dangerous missions behind enemy lines, knowing they
may never return alive. The theme music was either
identical or very similar to that used by Tales of the Texas
Rangers. Sherman Marks directed. The cast consisted of
The Hungarian Giant, played by Raymond Edward
Johnson, and Impy, the Midget, played by Gilbert Mack
The following people worked to bring this series to
you.
Series Synopsis -Paul Motsuk
Artwork -Brian Allen
Pictures, other extras - Fred Bertelsen
Episode Listener - Paul Motsuk
Stars Bios - Stephen Meyers
Audio Briefs - Doug Hopkinson, Ron Speegle
This series is currently being distributed in the OTRR
Distro #1 Group, by Streamload (Contact Allan Foster -
allanpqz@gmail.com for more details) and by the OTRR
Hub Librarians. It will also be coming to a group near you
very soon.
The Old-Time Radio Researchers currently has
$1,345.35 in the Treasury. We have made some major
purchases in connection with another group recently and
continue to buy over 100 hours each month of new
series/episodes.
Thanks to the following people for their contributions -
Patrick Belanger, Jim Beshires, Dale Beckman, Robert
Booze, Anita Boyd, De DeTevis, Pete Calvallo, Ryan
Ellett, Scott Erickson, Lisa Fittinghoff, Alan Foster, Allan
George, Archie Hunter, Mike Hamm, Doug Hopkinson,
Steve Cottle, Clyde Kell, Sean Boyd, Chris Antonacci,
Robert Johnson, Charlie Henson, Roger Hohenbrink,
Tony Jaworowski, Dave Johnson, Jim Jones, Tom
Mandeville, Tasseau Martillo, Mark McClure, Jim
McGee, Henry Morse, Stephen Myers, David Oxford,
Robert Philips, Ron Shalow, Ed Sehlhorst, Gary Stanley,
Clorinda Thompson, Jerry Young, Michael Galbreath,
and Greg Cloakley.
If you would like to assist in bringing new series and
better encodes to the otr community, or otherwise support
the work of the Old-Time Radio Researchers, please mail
any amount to:
Tony Jaworowski
15520 Fairlane Drive
Livonia, MI 48154
or send via Paypal to ajaworowski@ameritech.net
Basic Hip Digital Oddio
KIDDIE RECORDS WEEKLY
CLASSICS FROM THE GOLDEN AGE
The Old Radio Times * July 2006 * Number 8
20
Ryan's Discs
Ryan Ellett
It's interesting to me how small incidents and
happenings sometimes take on a life of their own, gaining
a reputation far beyond that ever envisioned by people
involved in the events. This is exactly what has happened
with the so-called "Ryan's Discs." I was recently
reminded of this project so I thought it would be fun to
share its history, especially with those of you who may not
have been around since the beginning.
The idea for "Ryan's Discs" (so named by others, not
me) came about in early 2002. The old-time radio
community is well known for the generosity of so many
fans, and I was at a point where I wanted to help out other
folks like I'd been helped. Streamload was fairly new at
the time, I believe. Those of you who were around back
then probably remember how hard it was to find reliable,
easy-to-use methods of file transfer.
I think MyPlay and MyLocker (or programs named
similarly) had been used briefly before they disappeared.
Several ftp sites were up and running but the average
collector, to my knowledge, didn't have much access to
those. A small number were messing with Napster (this is
pre-lawsuit days). Others were making a few shows
available on websites for download. Through into the mix
that broadband was not as widespread as it is now. It was
all haphazard and not overly efficient.
Compact disc was the best way to distribute and trade
large numbers of shows. By Spring of 2002 I'd amassed a
collection of approximately 350 discs (all mainly with
unique material) in about 16 months. The vast majority of
this material had come from cd trades and round-robins,
especially the old O-Tree group.
In the late months of '01 and early months of '02 a new
service, Streamload, came to our attention. It was met with
great enthusiasm because it was easy to use and huge
numbers of files could be transferred at a time (note that
Streamload is not actually a file-transfer program, but for
all intents and purposes it acts the same way).
By this time I had acquired broadband access and
decided on the spur of the moment to start uploading my
collection to Streamload so it could be shared with
everyone. At the time, 350 discs was a sizable collection.
With Streamload' s uploader working nonstop, I could
upload two discs a day around my work schedule.
I plugged away and in early March, 2002, 1 offered my
first set on the oldradioshowsonmp3 Yahoo group. The
response was extremely positive so I forged ahead,
working my way back to the beginning of my collection.
The Old Radio Times *
After my first two or three offerings, however, the project
grew beyond my ability to handle it. It took quite a while
to "beam" 25 cds worth of material to a collector. And I
was getting literally hundreds of requests for the different
offerings. I could not keep up with demand.
Trusting in the good-heartedness of hobbyists, I asked
for volunteers to step up and handle the distribution of the
programs. Each volunteer would be responsible for an
offering of 25 cds. All requests would go directly to them
and they would respond accordingly. My request worked
and fans stepped up to help out.
I don't recall how long it took to finish uploading my
collection. I was teaching at the time and had summers
off, so I made good progress through the summer months.
By the end of the summer, though, the bulk was done.
Done except for the first twenty-five discs, that it. The
rumor is true that those were never done. Streamload
exploded in popularity and tens of thousands of shows
were uploaded, including about everything from those first
discs. I decided there was no use uploading what already
was available.
In a way, my role in the "Ryan's Discs" began to fade
during this time. While I was still uploading furiously,
when a block of cds was done I simply streamed them to
the volunteer distributor and moved on to the next batch. I
lost touch with how many people were receiving these
shows. Once the last batch was sent to the distributor (disc
26 - 50), I basically put the project behind me.
Occasionally I would compile a new set as I acquired new
material, but this was not often. Little did I know that as I
was closing that chapter in my OTR life, the discs were
opening their own chapter in the hobby.
In late 2003, a year or so after I finished the bulk of my
uploading, I came across a Yahoo group that was
primarily focused on the distribution of these cd sets. I
think this is where I first saw the uploads referred to as
"Ryan's Discs" or "Ryan's Collection." It was run by
Uncle Sycamore and George Hughes, two guys I had
known for some time. By this time I was no longer
uploading new additions to my collection. I was up to
about 450 cds and Uncle Syc asked if I would supply the
group with my new material and they'd take care of its
distribution. I was never too involved in the group but I
did send them my new material periodically. This lasted
perhaps a year before I lost touch with them.
And since that time I've had nothing to do with the
"Ryan's Discs." That I generally go by the nickname
OzRadio I think has helped create a nice distance between
myself and the discs.
Every few months I get an email about them, but
(Continued on page 22)
ilv2006 * Number 8 21
Ryan's Discs (Continued from page 21)
unfortunately I don't have any Streamload access anymore
so cannot beam the shows. Now and then, however, I am
reminded of how widespread these discs have become. Of
course the Personal Collection Yahoo group caught me off
guard. When I joined the Researchers I was surprised how
many people knew of me through that project. Google
searches occasionally turn up discussions and requests on
various boards for the discs.
What really prompted this article, however, was a
recent email from one of my original distributors. He
wanted to know if I could re-upload a certain disc. He was
still sending out several copies of his batch of discs every
month, and there was a problem with this cd.
I was stunned. While I knew the discs still circulated, I
had no idea that an original volunteer was still beaming
them out\ He's probably been doing this for four years or
so!
Jim B. (who credits these discs with getting him into
the mp3 scene) and I joke that the Researchers exist to
clean up the mess made by the distribution of Ryan's
Discs. The discs are filled with countless errors in dating
and content. Still, it's humbling to know that work I
started on a whim four and a half years ago is still being
carried out.
Interestingly, I rarely get new material. Researchers'
sets are the only shows I ever download anymore, and I do
that sparsely. I've even considered dumping most of my
collection and just holding on to the few series I enjoy the
most. Indeed, I realize the inherent flaws and problems
with Ryan's Discs, and for that I have some regret.
Nevertheless, I like to think that the enjoyment brought by
these shows to so many fans far outweighs any
inconvenience I have caused the hobby.
Blair of the Mounties
Blair of the Mounties, the story of the Royal Northwest
Mounted Police, was a fictional series based on the work
of the Northwest Mounted Police before World War I. It
was a fifteen minute weekly serial heard every Monday
for 36 weeks beginning January 31st, 1938 and running
through the 3rd of October of 1938. It may have been on
the air as early as 1935, although we cannot find actual
proof of this.
Little is known of the series other than it followed the
exploits of Sgt. Blair of the Northwest Mounted Police
and probably was the inspiration for Trendell, Campbell
and Muir's Challenge of the Yukon.
The series was written by Colonel Rhys Davies, who
The Old Radio Times *
also played the Colonel Blair in the series. Jack Abbot
played the Constable.
Jack French, one of OTR's best researchers says this:
"Blair is not restricted to Canada, as other Mounties, as we
find him, in a few cases, in Great Britain, solving cases.
Overall the series is amateurishly written, with the actor
playing Blair coming accross as a bit stuffy."
The Old-Time Radio Researchers Group would like to
thank the following people who helped on this series -
Series Compiler - Dale Beckman
Listener(s) - Dale Beckman
Series Coordinator - Bob Gilroy
Audio Briefs Announcer(s) - Doug Hopkinson, Ron
Speegle
Audio Briefs Compiler(s) - Jim Beshires
Artwork - Jim Beshires
Missing Episodes Moderator - Clorinda Thompson
And the members of the OTTR Purchasing Group for
supplying funds to purchase missing episodes.
Web Update
Just when we thought that we'd reached the pinnacle,
we set a new record with 24,278 visits to the site during
the month of June, paid by 5,512 people. Visitors came
from 82 countries. Again we ran out of bandwith for the
month. Over 270,000 hits were also recorded, with over
200,000 files accessed.
We continue to add to the Old-Time Radio Script
section and the Art Gallery and many people are utilizing
these sections.
What is of unusual interest is the number of downloads
of back issues of the magazine. During June, 608 copies of
the June issue, 543 of the May, and 274 of the April issue
were downloaded! We currently have just over 1,400
subscribers.
Our OTR Database continues to be very popular with
364 downloads along with many thousands of downloads
of the individual series logs.
Another thing I found very interesting is that we had
1,300 hits by US Educational Institutions, 537 by the US
Military, and 1042 by US Government Agencies! Shades
of Big Brother! ! ! Wonder what they were looking for?
The OTTR Website continues to be one of the most
popular of the old-time radio websites, being #1 in most
search engines and in the top 5 in the rest.
2006 * Number 8 22
Wistful Vistas
Ryan Ellett
Although I don't actively collect coins, I do have a
passing interest in the hobby and frequent numismatic
message boards from time to time. I was surprised to find
that within the numismatic world there are a good number
of individuals who love studying, researching, and
learning about coins but who have little interest in actually
collecting coins. I always thought the point of a collecting
hobby was to acquire the appreciated objects.
I was comforted to make this discovery because this
attitude is very similar to that which I bring to old-time
radio. If you read my piece on Ryan's Discs, you know I
have a sizable collection; it approaches 600 cds. However,
even with tens of thousands of programs at my fingertips,
I have listened to maybe half a dozen all year, and most of
those were on the way to the Cincinnati convention.
It may sound strange, but I actually enjoy reading and
studying about old-time radio as much as, if not more
than, actually listening to these classic programs. In fact, I
think I've ready about half a dozen OTR books this year,
not counting the dozens of OTR newsletters I've
skimmed.
It's why I love putting this magazine out every month,
despite the hassles and headaches. It gives me an excuse
to keep up on old-time radio research and discoveries. It
keeps me in touch with inviduals at the forefront of
uncovering new information about the genre. It's also
created many pleasant exchanges with others outside the
hobby who have interests that intersect with OTR, such as
this month's piece by kiddie-record expert Peter
Muldavin.
One great thrill about editing this rag is the occasional
article that arrives out of the blue. Such is the case with
this month's lead by Jack French. Anytime you open your
email and find a piece by French waiting for you, you
know the upcoming issue will be a gem.
I love the variety we bring to our readers every month
and first-time writer Andrew Hopkinson helps us in this
regard. His recounting of his time turning an old classic
radio into an OTR jukebox will be of interest to many.
This month's venture beyond old-time radio into the
general nostalgia field focuses on kiddie-records, a natural
connection to one of the group's new releases. If you
don't know much about this hobby (as I didn't), you won't
find a better introductory piece than that penned by Peter
Muldavin.
If this isn't enough, we've included the montly dose of
OTR cultural history by Danny Goodwin and Donna
Halper. Their contributions alone justify the montly price
of admission.
For dessert you'll find the last in Stewart Wright's
series of book reviews so kindly written for us. Ed
Sehlhorst's Johnny Dollar trivia will certainly garner a
perusal as you search for your hometown's inclusion on
the list (no luck here). Top it off with Fred's monthly
crossword brainbuster.
As usual, read and reread your Times, pass it on to a
friend and consider how you can lend a hand.
News & Notes
Just a reminder that Martin Grams' Mid- Atlantic
Nostalgia Convention is coming up September 14 - 17,
2006, in Aberdeen, Maryland. Among other areas of
interest, the convention will feature classic movies,
antique cars, magicians, celebrities, and old-time radio.
Jack French, Jim Cox, and Martin Grams will all be
talking about OTR and Charlie Summers will be directing
a recreation.
Anyone wanting further information (including
guests and list of events) can consult the Convention web-
site at http://www.midatlanticnostalgiaconvention.com or
phone Martin direct at (717) 456-6208.
If you ever find yourself watching The Two Jakes, the
sequel to Chinatown, listen for The Whistler playing in the
background while Jack Nicholson is driving in his car.
DON'T FORGET
SUNDAY, March 8,i
FRED ALIEN
Will BE ON THE AIR EVERY
SUNDAY NIGHT
tton coMiro coast
l-i " - Vmm
9-10
{ -■•■■ill Ttmrn
8 9
Maintain Tims
7-1
6.7
: " " -■' U r a -w
cm •: - v
The Old Radio Times * July 2006 * Number 8
23
ONE YEAR $15 FOR 4 ISSUES
10280 Gunpowdsr Read Flareroe, KY 41042
Old Time Radio I alive and well in the pages of
The OLD TIME RADIO DIGEST. Our recipe is to
have a nice mix of current articles by collectors
with material from old radio publications of the past.
We are in our 20th year. Oldest OTR publication
without a club association.
The Old Radio Times * July 2006 * Number 8
24
Buy-S
ASTROLOGY REPORTS - Designed with you in mind.
Choose from seven different reports. E-mail
beshiresjim@yahoo.com for a complete listing. Most
reports $20.00. All proceeds go to the OTRR Purchasing
group to assist in buying new series/episodes.
1 - Trade
Don't throw away those old OTR newsletters or
memorabilia from other groups. Contact Ryan at
01dRadioTimes@yahoo.com. I can't pay much for them,
but I can probably cover shipping.
Anyone interested in trading raw ET .wav dubs please
contact Cliff at cliff marsland@yahoo.com.
The Old Radio Times is published monthly by the Old-Time Radio Researchers. All articles are the property of their
respective authors and are printed by permission. The contents - outside legal "fair-use" guidelines - may not be
reproduced in any format without the permission of the author. Unless otherwise indicated by the writer, it is assumed
all comments received from readers of the Old Radio Times may be published at the editor's discretion. Mention of
particular products and services does not imply endorsement by the Old-Time Radio Researchers.
Contributors:
Fred Bertelsen * Jim Beshires * Ryan Ellett * Jack French * Danny Goodwin * Donna Halper * Andrew Hopkinson *
Roger Hohenbrink * Peter Muldavin * Ed Sehlhorst * Stewart Wright
Submissions and submission inquiries should be sent to Ryan Ellett, Editor, 01dRadioTimes@yahoo.com. Articles may
be submitted as a word-processing file or in the body of an email.
Visit us on the Web:
http ://w w w . otterproj ectonline .info/
http://groups.yahoo.com/group/01dTimeRadioResearchersGroup/
http : //groups . yahoo .com/group/ Otter-Pro j ect/
The Old Radio Times * July 2006 * Number 8
25
Old-Time Radio Researchers Information
OTRR INFORMATION AND OFFICIAL BUSINESS
123 Davidson Ave, Savannah 31419
Telephone 912-961-7956
GROUP LEADERS
Jim Beshires (beshiresiim@yahoo.com)
Doug Hopkinson (atoning2003 @ yahoo.com)
TREASURER
Tony Jaworoski, 15520 Fairlane Drive, Livonia, MI 48154 (tony senior@yahoo.com)
ASSISTANT GROUP LEADERS
Acquisitions (cassette) - Ed Sehlhorst (ed.sehlhorst@gmail.com)
Acquisitions (reel-to-reel) - Mark Mcclure (perrymason61 @ yahoo.com)
Acquisitions (paper-based items) - Ryan Ellett (OldRadioTimes @ yahoo.com)
Certified Series Moderator - Bob Yorli (yorli@yahoo.com)
Webmaster - OTR Project - any ol one (otrmail @ gmail .com)
OTRR DVD/VCD Library - Ron Speegle
OTR Web Moderator - Jim Sprague (sprocket] @ comcast.net)
Missing Episodes Moderator - Clorinda Thompson (cthompsonhsd@yahoo.com)
Distro Moderator - Dee Detevis (dedeweedy @ aol.com)
Distro2 Moderator - Dave Tysver (dave.tysver@verizon.net)
OTR Project Moderator - Andrew Steinberg (nightkey5 @ yahoo.com)
Final Preparations Moderator - Roger Hohenbrink (rhohenbrink@ earthlink.net)
OTTER Moderator - Archie Hunter (y know archie@hotmail.com)
Hubmaster - Philip (phlipper376@yahoo.com)
Software Development - any ol one (otrmail @ gmail.com)
Streamload - Allan (allanpqz@gmail.com)
Mail Library - Doug Hopkinson (atoning2003 @ yahoo.com)
Wiki Master - Menachem Shapiro (m.shapiro@gmail.com)
Sound Restoration Moderator - Henry Morse (spockl @yahoo.com)
Sound Restoration Moderator - Anita Boyd (synagogue @ yahoo.com)
Newsletter Editor - Ryan Ellett (OldRadioTimes @ yahoo.com)
RELATED GROUPS
Old Time Radio Researchers
OTR Project
Distro
Distro 2
Purchasing
Sound Restoration
Software Development
The Old Radio Times * July 2006 * Number 8
Sushi Bar
For Those Who Like Their Data Raw
New Acquisitions By the Old-Time Radio Researchers
Amos & Andy 51 05 27 Photo Of Jewelry Store
Robber.mp3
Casebook Of Gregory Hood 49 10 15 The Carnival Of
Death.MP3
Magnificent Montague 51 07 21 Edwin Montague
Day.MP3
Mail Call xx xx xx (178) Guest Jack Douglas.MP3
Mail Call xx xx xx (86) Guest Groucho Marx.MP3
Charlotte Greenwood Show 45 09 02 Jack And The
Missing Fifty Dollars.MP3
Cisco Kid xx xx xx (791) Vendetta Of Vengance.MP3
Cisco Kid xx xx xx (792) Disaster At The Bridge.MP3
Gallant American Women 39 12 12 Laws And The
Woman. mp3
Gallant American Women 40 01 02 Women Of
Learning.mp3
Lone Ranger 48 04 16 Bob Strong's Legacy. MP3
Lone Ranger 48 04 19 El Gringo.MP3
Lone Ranger 48 04 23 Singapore's Peg Leg.MP3
Lone Ranger 48 04 26 Luke Learns A Lesson.MP3
Lone Ranger 48 04 30 Judge Brennan.MP3
Lone Ranger 48 05 05 Lookout Tower Mystery. MP3
Lone Ranger 48 05 07 The Raft.MP3
Lone Ranger 48 05 10 (2388) Dancehall Of Death.MP3
Lone Ranger 48 05 12 (2389) Fathers At Law.MP3
Lone Ranger 48 02 13 Mysterious Stranger.mp3
Lone Ranger 48 02 16 Man Of Destiny. mp3
Lone Ranger 48 02 27 Grandpa Brown.mp3
Lone Ranger 48 03 01 Letter From Albuquerque. mp3
Lone Ranger 48 03 03 Runaway Boy.mp3
Lone Ranger 48 03 12 The Wolf Pack.mp3
Lone Ranger 48 03 15 Melissa Downs' Nephew.mp3
Lone Ranger 48 03 22 Murder And Thunder Martin.mp3
Lone Ranger 48 03 26 The Sword.mp3
Lone Ranger 48 03 28 Lieutenant Nelson's Mistake. mp3
Lone Ranger 48 04 02 Border Patrol.mp3
Lone Ranger 48 04 05 A Fight For Peace. mp3
Lone Ranger 55 10 06 Stolen Watch(End Cut).mp3
Lone Ranger 55 10 07 Call To The Colors(End Cut).mp3
Lone Ranger 55 10 10 Twist Of Fate.MP3
Lone Ranger 55 10 11 Marked For Death. mp3
Magnificent Montague 5 1 07 28 Gwendolyn Visits.MP3
Mary Lee Taylor
Apartment.MP3
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Baby.MP3
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Question.MP3
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Mary Lee Taylor
Godfather.MP3
Mary Lee Taylor
48 11 19 Life At The New
48 10 30 Sally Makes Up Her Mind.MP3
48 1 1 06 Strange Reunion.MP3
48 1 1 26 Jim's Night Out.MP3
48 12 03 Old Friend Charlie.MP3
48 12 10 Sally Redecorates. MP3
48 12 17 Home For Christmas.MP3
48 12 25 Christmas Story.MP3
49 01 08 Will The Landlord Accept The
49 01 15 Worrying About Prowlers. MP3
49 01 29 Sally's Birthday Party.MP3
49 02 05 The Twenty Dollar
49 02 12 Budget Problems.MP3
49 02 19 Dad's Old Flame.MP3
49 02 26 Three's A Crowd.MP3
49 03 05 Horoscopes.MP3
49 03 12 Doc Bradley.MP3
49 03 19 Naming The Baby.MP3
49 03 26 Now We Are Three.MP3
49 04 02 Sally's One Track Mind.MP3
49 04 09 Sally Comes Home.MP3
49 04 16 Whose Baby Is She.MP3
49 04 23 Who Will Be Betsy's
49 1 1 11 Sally Finds An Apartment.MP3
Music On Deck xx xx xx
Music On Deck xx xx xx
Tango.mp3
Music On Deck xx xx xx
The Country. mp3
Music On Deck xx xx xx
Music On Deck xx xx xx
Why.mp3
First Song Every Night.mp3
First Song It Takes Two To
First Song Love Is Sweeping
First Song The Contential.mp3
First Song Why Baby
(Continued on page 28)
The Old Radio Times * July 2006 * Number 8
27
New Acquisitions (Continued from page 27)
Music On Deck xx xx xx (1) Second Song Whispering
Hearts.MP3
Music On Deck xx xx xx
Music On Deck xx xx xx
Wanna Mambo Polka.MP3
Music On Deck xx xx xx
Ringing.MP3
Music On Deck xx xx xx
Strutters Ball.MP3
Music On Deck xx xx xx
Danced All Night.MP3
Music On Deck xx xx xx
Wedding Bells.MP3
Music On Deck xx xx xx
Love.MP3
Music On Deck xx xx xx
Music.MP3
Music On Deck xx xx xx
Nickel.MP3
Music On Deck xx xx xx
Heaven.MP3
Music On Deck xx xx xx
Music On Deck xx xx xx
Marry Me.mp3
Music On Deck xx xx xx
You.MP3
Music On Deck xx xx xx
Blue.mp3
Music On Deck xx xx xx
Strings Of My Heart.MP3
Music On Deck xx xx xx
Doo.mp3
Music On Deck xx xx xx
To Me.mp3
Music On Deck xx xx xx
Love For You.mp3
Music On Deck xx xx xx
But Us Chickens. mp3
Music On Deck xx xx xx
Do.mp3
Music On Deck xx xx xx
Like A Melody.mp3
Music On Deck xx xx xx
Have Ya.mp3
2) First Song Marie.MP3
3) Second Song The I Don't
4) First Song Bells Are
5) First Song Darktown
6) First Song I Could Have
8) Second Song Sweet
9) Second Song The Game Of
25) First Song Say It With
26) First Song If I Had A
39) First Song Anyplace Is
49) First Song Technique. mp3
51) First Song Will You
51) Second Song It Could Be
52) First Song When I Get
52) First Song Zing Went The
54) First Song Boop te
81) First Song Just Leave It
82) First Song Saving All My
83) First Song Nobody Here
84) First Song What'll I
85) First Song A Pretty Girl Is
86) First Song Baby I Gotta
Presenting Charles Boyer 50 08 08 Fortune Teller's
Fortune.MP3
Quiz Kids 46 03 24 What Husband Gave His Wife The
Only Name She Had.MP3
Quiz Kids 54 01 03 Who First Said This Famous
Quote.MP3
Nick Carter 45 09 09 The Talking Tree.MP3
Presenting Charles Boyer 50 07 18 Thief, Beautiful
Woman & Crime.MP3
Tales From The Diamond K 5 1 xx xx
Tales From The Diamond K 51 xx xx
Kid.mp3
Tales From The Diamond K 5 1 xx xx
Man's Fortune. mp3
Tales From The Diamond K 51 xx xx
Miracle.mp3
Tales From The Diamond K 51 xx xx
Valley.mp3
Tales From The Diamond K 51 xx xx
Stampede.mp3
Tales From The Diamond K 51 xx xx
Booty.mp3
Tales From The Diamond K 51 xx xx
Maverick Valley.mp3
Tales From The Diamond K 51 xx xx
Bridge. mp3
Tales From The Diamond K 5 1 xx xx
Gold.mp3
Tales From The Diamond K 51 xx xx
Gold.mp3
Tales From The Diamond K 51 xx xx
Texas Style.mp3
Tales From The Diamond K 51 xx xx
Jones. mp3
Tales From The Diamond K 51 xx xx
Fortune.mp3
Tales From The Diamond K 51 xx xx
Kitchen.mp3
Tales From The Diamond K 5 1 xx xx
Three Horn Ranch. mp3
Tales From The Diamond K 51 xx xx
of the Incas.mp3
Tales From The Diamond K 5 1 xx xx
and the City of Gold.mp3
Tales From The Diamond K 51 xx xx
Moon.mp3
Tales From The Diamond K 5 1 xx xx
Fort Ramirez.mp3
Tales From The Diamond K 51 xx xx
the Guadalupes.mp3
03) Rusty Bill.mp3
04) The Oklahoma
05) The Squaw
06) Red Ingles'
07) Thunder
08) The Great
09) Pirate
10) Adventure in
11) Broken
12) Poison
13) The Lake of
14) Cattle Rustling,
15) Windmill
16) The Lost
17) Devil's
18) The Secret of
19) The Lost City
20) Chuckaluck
21) Craters of the
22) The Gold of
23) The Treasure of
The Old Radio Times * July 2006 * Number 8
(Continued on page 29)
28
Recent Acquisitions (Continued from page 28)
Tales From The Diamond K 51 xx xx (24) The Treasure
of Cuengha Pass.mp3
Tales From The Diamond K 5 1 xx xx (25) Peg Leg
Smith.mp3
Tales From The Diamond K 5 1 xx xx (26) The Ghost
Rider of Loma Escondida.mp3
Tales From The Diamond K 5 1 xx xx (27) Posthole
Bank.mp3
Tales From The Diamond K 5 1 xx xx (28) Pot O'
Gold.mp3
Tales From The Diamond K 5 1 xx xx (29) The Skeleton
in the Well.mp3
Tales From The Diamond K 5 1 xx xx (30) The Bryfogel
Mine.mp3
Tales From The Diamond K 51 xx xx (31) The Seven
Cities of Sibola.mp3
Tales From The Diamond K 51 xx xx (32) The Unburied
Treasure. mp3
Tales From The Diamond K 5 1 xx xx (33) The Lure of El
Dorado. mp3
Tales From The Diamond K 5 1 xx xx (34) Yankee
Dan.mp3
Tales From The Diamond K 5 1 xx xx (35) The Adventure
at Mud Creek.mp3
Tales From The Diamond K 5 1 xx xx (36) The Golden
Chimney.mp3
Tales From The Diamond K 5 1 xx xx (37) Tarzan.mp3
Tales From The Diamond K 51 xx xx (38) Talbot's
Bank.mp3
YTJD = Yours Truly, Johnny Dollar
YTJD 51 12 29 The Alma Scott Matter.MP3
YTJD 61 07 23 The Chuck A Nut Matter.MP3
YTJD 62 01 07 The Hot Chocolate Matter .MP3
YTJD 62 02 1 1 The Do It Yourself Matter.MP3
YTJD 62 02 25 The Mixed Blessings Matter.MP3
YTJD 62 04 29 The Grand Canyon Matter.MP3
YTJD 62 05 06 The Burma Red Matter.MP3
Database Updates
June 15, 2006
Added years on air to
Bob Hope Shows
Bing Crosby Shows
NEW SERIES
The Amazing Spiderman - Adam Gott
Meyer The Buyer - Adam Gott
ADD'L EPISODES
Yankee Yarns - Scott Carpenter
Bickerson - Scot Carpenter
REVISED LOGS
Romance - Clorinda Thompson/David Oxford
Curtian time(37-39) - Clorinda Thompson
Curtian Time (45-50) - Clorinda Thompson
OTHER
Singles And Doubles - Many - Andrew Steinberg
Man Called X- Spelling - Andrew Steinberg
June 19, 2006
DELETE -
Stephen King Audio Books
NEW SERIES -
Music on Deck - Jim B
The Mildred Bailey Show - Jason Clark
The Meaning Of America - Jason Clark
The Lina Romay Show - Jason Clark
Melody Promade - Jason Clark
Melody Tours - Jason Clark
Musings & Music - Jason Clark
Sister Elizabeth Kenny Revue - Jason Clark
Major Bowles Original Amateur Hour - Jason Clark
Make Believe Ballroom - Jason Clark
Makers Of History - Jason Clark
Man Your Battlestations - Jason Clark
SPELLING -
SINGLES AND DOUBLES - ANDREW STEINBERG
LORD PETER WIMSEY - Astor56
REVISED LOG-
Gary Crosby Show - Jim Beshires
(Continued on page 30)
The Old Radio Times * July 2006 * Number 8
29
Database Updates (Continued from page 29)
Hardy Family - Added Date
June 21, 2006
July 7, 2006
NEW SERIES -
Bride And Groom - Jason Clark
Masterpiece Radio Theater - Jason Clark
Meet Me At Parky's - Jason Clark
Mennen Shave Time - Jason Clark
Mercer LcLeoud - Jason Clark
Mack Baldy - Jason Clark
The Martin Block Show - Jason Clark
OTHER CHANGES -
The Tide Show - Added Episode Titles - Jim Beshires
Your Hit Parade - Spelling - Andrew Steinberg
Philip Marlowe - Episdoe Corrections - Andrew Steinberg
Strange Adventure - Added Episode Titles - Andrew
Steinberg
Space Patrol - Spelling - Andrew Steinberg
The Saint - Marked Episodes Unavialible - Andrew
Steinberg
Lum & Abner - Spelling
NEW SERIES -
Play Ball
The Metropolitian Opera
Light Up and Listen Club
Main Street Music Hall
Miracles & Melodies
Modern Romance
Story Of Satan Place
NEW EPISODES -
Aunt Jemima
Country Hoedown
Jack Armstrong
OTHER CHANGES
Arch Obolers Plays - Delete bad entries
Strange Adventure - Spelling
Jeff Regan - correcting bad entries
A Date With The Duke - Revised Log
Singles And Doubles - Many
Imigination Theater - Revised Log
Bickersons - Revised Log
June 30, 2006
NEW SERIES -
The Happy Gang
Helen Hayes Theater
Country Style USA
Wings Above The Diamantina
It Pays To Be Married
ADDITIONAL EPISODES -
Greatest Story Ever Told
Treasury Salute
Man Called X
SPELLING
Strange Adventure
The Bickerson
Lum & Abner
Nightfall (NPR)
DELETE BAD ENTRIES
Singles & Doubles
Nightfall(CBC)
Lights Out
The Saint
Nick Carter
Intrigue
OTHER
The Pacific Story - Added Episode Titles
The Old Radio Times * July 2006 * Number 8
BLAIR OF THE
MOUNTIES
AAP3
FORMAT
The Old Radio Times * July 2006 * Number 8